Q: Your work captures both vast landscapes and intimate details—how do you decide what to focus on in a scene?
Every scene tells a story. Sometimes I head out with a clear plan—knowing the light and conditions—other times I let the landscape guide me. Vast vistas often need large prints to show their scale, while intimate scenes can stand strong on their own. I also shoot panoramas, stitching frames to bring out the full breadth of a place.

Q: Do you consider your photography more of a documentary of nature, or an artistic interpretation of it?
It’s both. I capture nature in its rawest form, but usually during the most dramatic light or conditions. That alone adds artistry. Nature gives me the raw materials, but the way I frame and tell the story turns it into art. My goal is to translate what it felt like to stand there.

Electric Night
Limited Edition of 18 · Archival Acrylic Facemount · Up to 40” × 60”

Q: You describe your work as more than decoration—that each print carries a story. Can you share one image and the story behind it?
One that stands out is Electric Night, the lightning shot over the pier. I was the only one left on the beach—everyone else had run for cover, but I couldn’t leave. I’d been chasing this shot for a while. I set up my tripod low with a rain sleeve over the camera, then stepped back about 25 feet, watching it like a hawk as the tide crashed in. Since it was the only tall metal object around, I wouldn’t stand next to it. At times I even lay flat in the sand, hoping it lowered my chances. Then it happened—a white-out bolt so bright the world vanished. The thunder shook my chest, and only the camera revealed it had lined up perfectly with the pier. My hands were still shaking as I stared at the shot.

Q: You describe your prints as “windows into the serene and magnificent world”—what do you hope people feel when they look at your work?
Peace and wonder. Some images are calm, like a sunrise over water. Others carry the energy of a storm or the drama of lightning. Nature is both serene and powerful, and I want my work to reflect that balance. My hope is that viewers feel transported, as if they’re standing there with me.

Tropical Awakening
Limited Edition of 18 · Archival Acrylic Facemount · Up to 60” × 40”

Q: From fine art to education, you’re launching the South Florida School of Photography. What inspired it, and how does teaching fit into your creative journey?
Teaching has always been a natural extension of my photography. I’ve found as much joy in helping others as in creating my own work. The school grew from that passion—to share not just techniques, but a way of seeing differently. I’ve been told my energy sparks life in others, and that’s what drives me: creating something within them that lasts long after the class is over.

Q: What makes your workshops and the South Florida School of Photography unique, and what can participants expect?
It’s the mix of artistry, adventure, and hands-on learning. We head into the field to create, then bring images back to critique and refine—that cycle makes everything click. My workshops welcome all skill levels and focus on creating without overwhelming hikes. The camaraderie is as important as the photography, and what excites me most is seeing people begin to see differently. Locally, I’ll be teaching through Palm Beach Gardens Parks & Recreation and launching the South Florida School of Photography on Nov 1st in Jupiter. Beyond Florida, I lead U.S. and international workshops, as well as bespoke, privately curated photo adventures.

Strawberry Nights
Limited Edition of 18 · Archival Acrylic Facemount · Up to 60” × 40”

Q: For someone considering one of your prints, how do you recommend they select the right piece for their space?
Start with the piece that speaks to you—it will never get old. Then think about the mood you want for the space. A seascape can bring calm, while a storm adds drama. One client hung a stormy seascape above his piano because he wanted to channel that same intensity when he played. I also help collectors choose size, framing, and vibe so the art truly fits their space.

Q: Do you have upcoming workshops or destinations you’re especially excited about?
Yes—trips across the U.S. and internationally, from Utah’s Badlands and Colorado’s fall foliage to Oregon’s coasts and Iceland’s 2026 solar eclipse. Closer to home, I’m also excited about Florida-based workshops in astro, wildlife, and coastal photography. Whether near or far, they all share the same focus: adventure, learning, and unforgettable experiences.

Q: Is there anything else you’d like readers to know or a final thought you’d like to leave with them?
I’d like to share what I’m up to now and what’s on the radar in the near future. If you’d like to stay in the loop about my workshop schedule, upcoming events, or local meetups, please send me your email so we can stay connected.

When Light Returns
Limited Edition of 18 · Archival Acrylic Facemount · Up to 60” × 40”

Q: What first drew you into photography, and how did it evolve into a career?
When I picked up a camera, everything clicked. Photography gave me a way to connect with the outdoors and express what those places made me feel. Curiosity quickly grew into obsession—chasing light, exploring landscapes, and telling stories. Over time, I began sharing my work, teaching, and guiding others. What started as discovery has become a life of inspiring others and creating lasting connections.

Q: How has your relationship with nature evolved through years of exploring and photographing it?
At first, nature was just a backdrop. Over time, I began noticing how every detail—a leaf, a canyon, a coastline—fits into a bigger story. That gave me a deep respect for the planet. Now I pick up trash when I’m out, talk about conservation, and even keep certain locations private so they don’t become overrun. It’s no longer just about capturing beauty—it’s about helping protect it.

Q: What goes into preparing for one of your photographic journeys? Do you scout locations, or let chance guide you?
Both. I study weather, light, and geography, and use apps to track the sun, moon, and Milky Way for alignments. But just as often, I’ll throw gear in the Jeep and follow a dirt road to see where it leads. That balance keeps it exciting. For workshops, though, everything is scouted—sometimes multiple times—so conditions are right for my clients.

Q: Is there a dream location you haven’t photographed yet but hope to?
Yes—places like the Arctic, Alaska, and Greenland, though I’m not a fan of losing feeling in my fingers. Closer to my comfort zone are the Dolomites, Galápagos, and Norway. At the top of my list is Iceland during the 2026 solar eclipse, which I’m already planning a workshop for.

Upcoming highlights:
Upcoming Art Shows:
Sandhill Crane Golf Club, Palm Beach Gardens (Oct 23–Jan 13)
Palm Beach Gardens Tennis Center (Oct 21–Dec 1).
Reception at the PBG Tennis Center on Nov 15, 11:30 am–1:00 pm.

Community Class:
The Art of Landscape Photography with Palm Beach Gardens Recreation. Register through their website.

Art Installation:
Loggerhead Marine Center through TurtleFest, with pieces auctioned afterward.

Travel & Adventure Show:
Booth + presentation in Fort Lauderdale (Feb 28–Mar 1, 2026).

School Launch:
South Florida School of Photography at Wavelength Studios,
Jupiter (Nov 1).

Connect & Contact:
Instagram: @OverlandingPhotography
info@LLPhotoArt.com
www.LLPhotoArt.com